Channel Surfing: A Broadcast to Binge’ is an auction by Julien’s Auctions that bridges the era of traditional broadcasting with the modern age of streaming. The auction features a wide array of items that appeal to both nostalgic viewers of classic TV shows and enthusiasts of contemporary streaming platforms.
The auction likely includes memorabilia such as props, signed items, and rare collectibles from popular TV series and streaming shows. This kind of event reflects the evolving media landscape and the growing demand for unique entertainment-related collectibles.
Julien’s Auctions is renowned for its high-profile auctions, often drawing significant media attention and attracting collectors from around the world. By focusing on both broadcast and streaming memorabilia, this auction captures a moment in media history where traditional TV viewing is transitioning towards on-demand streaming.
Highlights
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Wonder Woman (1975-79) – Lynda Carter’s unmistakable gold-tone tiara—still tagged “LYNDA”—and the bright-red “gumdrop” earrings she wore on-screen. These are the signature hero pieces from the first live-action Wonder Woman series, carrying a presale estimate of $20,000 to $30,000.
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Batman (1966) – Frank Gorshin’s emerald-green jacket and vest from both the pilot episode “Hi Diddle Riddle” and the 1966 feature film. As the Riddler, Gorshin was the very first villain to square off against Adam West’s Batman. Bidding currently sits at $9,000 against the same $20k–$30k estimate.
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Batman (1966) – A screen-used, Burt Ward–signed Batarang (labeled “Bat-O-Rang” in the catalog) employed by Robin/Dick Grayson. Opening bid has reached $5,000 on a $20k–$30k valuation.
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Saturday Night Live – John Belushi’s foam-rubber “Killer Bee” headpiece from multiple early sketches, emblematic of SNL’s breakout 1970s absurdist humor. Also estimated at $20k–$30k, with bidding at $5,000 so far.
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Saturday Night Live – Dan Aykroyd’s beige latex Conehead appliance, dated April 16 1977 and marked “Dan.” Believed to be the second piece ever worn as Beldar and likely the earliest survivor, it helped turn a one-off sketch into a recurring phenomenon. Estimate: $20k–$30k.
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Late Night with David Letterman (1984) – The full-body Velcro suit Letterman used to cling upside-down to a Velcro wall in one of the talk-show host’s most replayed sight gags. Valued at $20k–$30k.
These and many more—will be on public display at RISENY in midtown Manhattan from April 8 to May 8, 2025, before they go under the hammer.
Context & Background
The 2025 art market is defined by digital acceleration, cautious collecting, and a push for transparency. Galleries increasingly rely on online sales (43% are expanding digital efforts, per Artsy) while collectors prioritize eco-conscious practices and accessible price points. This auction’s “Channel Surfing” theme likely taps into nostalgia-driven demand for pop culture memorabilia, a market segment buoyed by Gen Z’s appetite for tangible connections to media franchises. The broader auction landscape reflects a hybrid model—think Instagram Live bidding wars paired with high-stakes private sales.